12 Chapters
Shelly's dream is turning Cactus Carnival and Waterpark into the most celebrated destination in Starfield Oasis..
Shelly spread the blueprints across the ticket booth counter and weighed the corners with soda cans. The park behind her hummed with afternoon crowds, kids screaming down the orange slide that wrapped the tallest cactus tower. She tapped the empty plot on the map. "We need one ride people drive across the desert to see. Something they can't get anywhere else." Esther stood beside her in a straw hat, arms crossed against the sun she hated. She had been Shelly's friend long enough to know when Shelly was scared under the planning. "A drop slide," Esther said. "Straight down the middle spire. Riders sit inside a hollow cactus, the floor gives out, they fall through a glass tube into the lagoon." Shelly grinned for the first time that morning. "That's it. That's the ride." Then her phone buzzed. It was her booker at the small theater two lots over. He was calling to say goodbye. Malcolm Whitfield had bought the theater that morning. He had also bought the mini-golf and the arcade on the same strip. Shelly set the phone down slowly. Every venue around her park now belonged to the man who ran the casinos. He arrived within the hour, white suit, dark glasses, hands in his pockets like he was strolling through property he already owned. "Shelly. Good to see the place still standing." "You're boxing me in, Malcolm." "I'm investing. There's a difference." "You're buying every ticket a family could spend before they reach my gate." He smiled under the mustache. "Then give them a reason to walk the extra block. That's business." "This town isn't a board for you to sweep clean," Shelly said. "People live here. Esther's store feeds half of them. My brother grew up on that slide. Stop being greedy for five minutes and look around." Malcolm's smile thinned. "Greedy is a word people use when they're losing. I made you a courtesy visit. I'll make you an offer next week. Sell the park to me, and I'll keep your name on the sign." "No." Shelly rolled up the blueprints and tucked them under her arm. "I'm building the drop slide. When it opens, families will drive past every theater you own to get here." Malcolm tipped his hat and walked back toward his black car. Esther watched him go, then turned to Shelly. "He'll come at you harder now." "I know." Shelly looked up at the cactus tower and pictured a glass tube running straight through its heart. She had refused the buyout, and now she had to build the ride before Malcolm found a way to starve her out. The countdown had started the moment she said no.
The morning after Malcolm's visit, Shelly sat on the ticket booth steps with the blueprints across her knees and no idea how to begin. She knew rides. She did not know load calculations, glass tolerances, or how to hollow a living cactus without killing it. Every contractor she called had quoted her a number that would empty the park's accounts before the first bolt turned. She was staring at the drawing when Esther's truck rolled through the front gate with a stranger in the passenger seat. Esther climbed out squinting under her straw hat. The passenger followed. He was short and green, wings folded neat against a flowered shirt, tool belt already slung across his hips. "Shelly, this is George," Esther said. "He fixed the freezer at my store last winter when three other people gave up. He builds rides down the coast." George stuck out a hand and grinned. "Heard you're trying to drop people through a cactus. That's the most fun problem I've had all month. Show me what you've got." Shelly walked him to the base of the tallest spire and unrolled the blueprints on an overturned crate. George crouched, traced the glass tube with one finger, then went quiet. He measured the cactus wall with a tape from his belt. He tapped the trunk in three places and listened. When he stood up, the grin was gone. "This won't work," he said. "The tube is centered, but the wall thickness on your drawing is guesswork. A real cactus this size has soft pulp for the first eighteen inches, then fiber. You cut a straight shaft through that and the whole spire splits within a season. First heavy rider, the floor gate torques the frame and the glass shatters inward." He looked at Shelly plainly. "Somebody would die." Shelly felt the drawing go cold under her hands. She had sold the ride to herself, to Esther, and to Malcolm's face, and the paper it stood on was wrong. She rolled the blueprints up. "Then help me fix it. I'll pay what I can now and the rest when we open. Contract today. We close the park tomorrow and start work." George pulled a folded contract template from his tool belt like he had been waiting for the question. They signed on the crate. Esther drove into town to post the closure notice. Shelly stood alone by the spire that evening and watched the last families walk out through the gate. The old blueprint was dead. She had a builder, a shut park, and a countdown that had just gotten shorter.
Three days into construction, the saws were running and the first steel ribs had gone up inside the tallest spire. Shelly was on a ladder checking a bolt line when a woman in a gray blazer walked through the front gate with a clipboard. The woman flashed a laminated badge and asked for the site owner. Shelly climbed down. The badge said City Inspector. The clipboard held a stop-work order already filled out, waiting for a signature. The inspector did not waste words. The permits on file described the old ride. The new ride had a different structural load, a different shaft, a different rider path. Without updated permits, every tool on the lot had to stop within the hour. Shelly asked how long a new permit would take. Six weeks minimum, the inspector said, longer if the review board wanted a second opinion. Shelly did the math on her fingers. Six weeks would put her past the season. Six weeks would put her past Malcolm. George came around the base of the spire wiping his hands on a rag. He grinned at the inspector like she was a friend who had come for lunch. "You're worried about the shaft cut, right? Come look. I've got the new load sheets in the trailer. Signed, stamped, everything but the city header." He walked her to the site trailer and spread paper across the desk. He talked her through the fiber wall, the steel sleeve, the torque numbers. The inspector listened. She tapped one line twice. "This is clean work," she said. "But I can't sign off on a builder's word. I need a council member or a licensed structural reviewer to vouch before I can issue an emergency permit." Shelly stepped outside and called Esther. Esther picked up on the second ring, and Shelly heard the general store's screen door slap shut. "I need a name," Shelly said. "Someone on the council who won't stall." Esther was quiet for a beat. "Amina Khalil. District Four. She reads what people hand her. Tell her I sent you." Shelly drove into town with the load sheets on the passenger seat. Amina met her in a small office lined with binders. She read the top page, then the next, then the stamp on the back. "Beetlesby did these?" she asked. Shelly nodded. Amina picked up her desk phone and called the inspector directly. "I'll vouch," she said. "Issue the emergency permit today. I'll sign the paperwork before close." She hung up and looked at Shelly. "You owe me a real answer when I ask for one later." By sundown the stop-work order was rescinded and a temporary permit was taped to the ticket booth window. The saws started again. Shelly stood at the gate and watched George climb the scaffold with a fresh coil of wire. She had bought her build back, but she had also written her name into a councilwoman's ledger, and Amina would come to collect.
By the fifth morning, Shelly could see the problem in the shape of her own crew. The permit was taped to the booth. The steel was on the lot. But only four men were swinging hammers, and the schedule on the trailer wall wanted eight. George climbed down from the scaffold and wiped his forehead. "Boss, I can weld faster, but I can't clone myself. We're two weeks short at this pace." Two weeks short meant opening after Malcolm's next council move. Two weeks short meant losing the park. She called Ziggy that night. He came before sunrise, hat pulled low, work gloves in his back pocket. He walked the site once without speaking, tapped a beam, tested a bolt. Then he sat on an overturned bucket and looked at her. "You need hands, sister. Real ones. And you know one man who can pull a whole crew from the beach in a day." Shelly shook her head before he finished. Ziggy waited. "Duke," he said. "Call Duke." Shelly walked to the far end of the lot and stood with her phone in her hand for a long time. Duke had left three years ago with a sand board strapped to his truck and a note that said less than it should have. She dialed. He picked up on the fourth ring. She told him the deadline, the crew size, the ride, and the man trying to squeeze her out. She did not ask nicely. She said please once, at the end, and then she waited. "Sister of Ziggy," Duke said, slow and warm. "You call for muscle, ya? I bring boys from the dune camp. Strong backs, no complaints. We work for food, cold drinks, and a ride on your slide when she opens." Shelly closed her eyes. "Deal." He laughed. "Also, one dinner. You and me. Talking, only talking." She almost said no. She said yes. By noon, Duke pulled up in a dented van with nine sand-surfers piled in the back, boards lashed to the roof, arms already brown from the sun. They unloaded like a wave hitting shore. George met them at the gate with a clipboard and a grin, handing out tasks before they finished shaking hands. By sundown the second spire had its ribs. By the end of the week the water tower stood, painted bright against the desert. Ziggy watered a row of seedlings near the fence and watched his sister argue torque numbers with a man she used to love. Shelly had her crew. She had her timeline back. She also had a dinner she did not know how to sit through, and a favor to Duke that would come due the way Amina's favor would come due. The build would open. What she owed after was a different ledger.
The clerk called before the crew had finished morning coffee. A council member had filed for a re-review of Shelly's emergency permit. Hearing at three. If she could not answer the challenge, the site went dark by sundown. Shelly read the notice twice, then folded it into her back pocket. Malcolm's name was not on the paper, but his fingerprints were. She grabbed her keys and shouted for Ziggy. Ziggy climbed into the truck without a question. Shelly drove toward the tall white building with the orange glass, the one with the records room the old-timers still used. "We need proof," she said. "Precedent. Something on paper that says a councilwoman can vouch for a rebuild on a compressed timeline." Ziggy adjusted his hat. "Amina will know the shelves. Call her from the lobby." Shelly had already dialed. Amina met them in the archive on the third floor, sleeves pushed to her elbows. "Show me the notice." She read it once. "Bad-faith filing. They want you to panic." She pulled a binder from a low shelf and set it flat on the table. "Nineteen-eighty-one. The pier fire rebuild. Emergency permit issued by a single councilmember, upheld on re-review because the structural sign-off was independent." She tapped the page. "Your engineer signed your load sheets. Bring them. Bring him." Ziggy was already photographing the page with his phone. At three, the chamber was half full. The challenging member spoke first, smooth and slow, quoting code sections and calling the permit rushed. Malcolm sat in the back row in his white suit, hands folded, watching Shelly the way a man watches a slot reel. Shelly stood when called. She laid George's stamped load sheets on the table. She laid the nineteen-eighty-one precedent beside them. Amina spoke next, short and clipped. "The structural review is independent. The permit stands unless you can show a defect in the sheets. Show one." The challenging member opened his mouth and closed it. He had not brought an engineer. The vote came four to one. Permit upheld. Build continues. Shelly walked out with Ziggy at her shoulder. Malcolm caught her in the lobby, smiling like they were old friends. "Impressive footwork, Shelly. Truly." He tipped his hat. "But footwork tires a person out. I have more moves than you have days." He walked past her into the sun. Amina touched Shelly's elbow before she could answer. "He is not bluffing. He will come at your suppliers next. Lock your contracts tonight." Shelly nodded. In the truck, she pulled out her phone and started a list. The permit was safe. The next fight was already named.
Shelly drove home from the hearing with her list of contracts to lock, but by the time she reached the park gate, a second worry had crawled up beside the first. The permit was safe. The build was on schedule. Opening day was ten days out, and every flyer she had printed sat in stacks on stools inside the Cactus Cantina. Locals knew. Nobody past the dune line did. A half-empty opening would look like a flop, and a flop was the story Malcolm wanted printed. She called Esther from the truck. Esther arrived twenty minutes later with a clipboard and a flat look. "You waited too long," Esther said. "Radio spots take a week to land. Papers take longer." Shelly rubbed her eyes. "Then what." Esther tapped the clipboard. "Tony. He shot commercials in the old days. He still has the camera and the reels." Shelly did not love the idea of owing Fat Tony anything, but she was out of clean options. Ziggy came out of the greenhouse wiping soil off his hands and climbed into the truck without being asked. Fat Tony met them at the cine-rent under a strip of shade cloth, sandals off, feet up. He listened to Shelly the whole way through before he spoke. "You want buzz out past the dunes, you don't sell the slide," he said. "You sell the drop. One shot. Kid climbs. Kid looks down. Kid screams. Cut to sun and moon in the same sky." He grinned. "Give me the tower and one afternoon. I'll cut it tonight and push it to every station between here and the coast by morning." They shot at the cactus tower before the light went orange. Ziggy climbed the ladder in a small hat and made the face Tony wanted without being told twice. Esther ran the reflector and complained about the sand in a flat voice that Tony filmed anyway and kept in the final cut. Tony worked the camera in slow half-circles, muttering about angles. He wrapped at sundown, drove back to the cine-rent, and locked the door behind him. Shelly went home and slept four hours. The commercial hit the morning slots. By noon the phone at the cantina rang nine times with reservations from towns Shelly had never driven to. A travel blogger from the coast asked about press passes. The hotel down the road called to say they were booked through opening weekend and wanted to know if she had overflow beds. Shelly stood in the office with the receiver against her shoulder and wrote numbers on a pad. The out-of-town crowd was coming. Then Esther walked in holding her phone, jaw tight. "Your soda supplier just canceled," she said. "Effective today. No reason given." Shelly set the receiver down. Malcolm's next move had landed.
Shelly hung up the phone and stared at the wall. The soda supplier was the loudest cancellation, but not the only one. By late morning, her ice vendor left a message asking to "revisit terms." The towel service wanted a call back. Two food carts had gone quiet. Word traveled fast in a small desert town, and Malcolm's move on the soda contract had spooked every small operator on her list. None of them would recommit without something binding on paper. Opening day was nine days out. Shelly drove to the cine-rent with Esther in the passenger seat. Fat Tony was on the porch again, sandals off, watching the heat shimmer. Shelly laid it out plain. She needed a drink supplier who would not fold when Malcolm called, and she needed amenities that would not vanish overnight. Tony listened, then tapped his chin. "Drinks is easy, mon. You got a man across the road who runs a bar and owes nobody. Bo. I send him over." Esther cut in. "I'll handle the amenities side. Duke still has crews sitting on their hands between builds. He owes you nothing, but he owes me a favor from last summer." Bo showed up an hour later in his hat and vest, thumbs hooked in his belt. He walked the empty drink stations and the cantina bar, tapping taps and checking lines. "Shelly, darlin', I can run house sodas out of the Grove till you find a proper supplier. Small-batch, my recipe, my kegs. You pay cost plus a nickel a pour. I'll sign a ninety-day lock right now so your vendors see it's real." He pulled a folded page from his vest and set it on the counter. Shelly read it twice. It was clean. She signed. Duke rolled in behind him with three of his sand-surfers and a truck full of folded cabanas, rental boards, and stacked towels from the dune camp storage. He leaned on the tailgate and grinned at Shelly like the three years between them were a joke he was still telling. "Chief, we got you covered, ya? Shade, towels, lockers, board rental for the wave pool. My crew works the amenity stalls opening week. You feed us. We sign for the run." He held out a short contract Esther had drafted in the truck. Shelly signed that one too. By afternoon, Shelly had Bo's signed drink lock and Duke's signed amenity run in a folder on her desk. She called each spooked vendor back with the papers in hand. The ice vendor recommitted within the hour. The towel service dropped their concerns. One food cart still walked, but the other stayed. The bleeding stopped. Esther stood in the office doorway with her arms folded. "You've got drinks and towels for opening. You do not have a soda supplier past ninety days. And you now owe Bo, Duke, and Tony in the same week." Shelly closed the folder. "I'll count the debts after the gates open." She looked at the wall calendar. Nine days. Her staff roster was still half-empty, and every name on it worked for someone else first.
Shelly was still counting names on the half-empty staff roster when the phone rang. A reporter from the local news outlet wanted to bring a camera crew for a preview tour tomorrow at ten. She said yes before she thought it through. She hung up, walked to the office window, and looked out at the park. Stacked pallets sat where the ticket line would go. Tarps covered half the wave pool. The big slide rose out of a mess of scaffolding, exposed pipe, and welding carts. Reservations had climbed all week off the commercial. One shaky camera pan across this yard would send them back down. She called George first. He rolled up in twenty minutes, tool belt clacking, floral shirt already dusty. "Chief, tell me what you need pretty by ten and I'll tell you what I can hide before then." They walked the site together. George drew a line on his clipboard down the middle. On one side, what could be finished: the front gate, the cantina patio, the base pool and the two feeder slides. On the other, what had to be screened off: the tower scaffolding, the pump housing, the unfinished lockers. "Give me the night and six of Duke's crew," he said. "I'll get the scaffolding sheathed in printed banners. Looks like decor from ten feet out. Cameras won't know the difference." Ziggy showed up at dusk with a flatbed of potted desert plants from his greenhouse. He climbed down slow and pushed his glasses up his nose. "I heard you needed the yard to look alive," he said. "Plants cover a lot of sins, Shel. Line the walkway, ring the base pool, hide the pump shed behind the tall ones." He worked through the night with two of Duke's men, setting pots along the paths George had cleared. By four in the morning, the front half of the park read like a finished resort. The back half was hidden behind painted banners printed with sun and moon patterns to match the slide tower. George rigged work lights to point away from the seams. The crew arrived at ten sharp. Shelly walked the reporter down the planted path, past the cantina patio, and out to the base of the tower where the twin pools caught the morning light. The camera stayed on the slide, the plants, and Ziggy demonstrating a test drop on the shorter feeder. The reporter asked about opening day. Shelly gave her the date and the reservation numbers. By evening, the segment aired on the six o'clock news, cut tight around the finished pieces. The station's website added a booking link. Reservations jumped again by midnight. Shelly closed her laptop and looked at the roster still tacked to the wall. Eight days. Twice the guests coming. Half a staff to serve them.
Shelly woke to a full inbox and a fuller reservation list. She poured coffee and stared at the roster tacked to the wall. Eight days out. Half a crew. She started dialing every temp agency in the county. Two didn't answer. One laughed. The last quoted her a rate that would eat her opening week margin whole. She hung up and put her forehead on the desk. The phone rang under her cheek. It was Amina. "I saw the news segment," Amina said. "Reservations are up." "Doubled," Shelly said. "And I've got fourteen people to run a park built for thirty." Amina was quiet for a beat. "District four has a job fair board that's been dead for two years. The corridor lost its factories. People there want work. Real work, not one shift." "I can't train fourteen strangers in eight days." "You train six good ones and they train the rest," Amina said. "I'll be there tomorrow at seven. Have your job descriptions ready." Shelly held the phone after the line went dead. Amina had called her. Not the other way. She wrote out the roles by hand until the sun came up. Amina arrived in a white van with fifteen people from her district. She lined them up on the cantina patio and introduced each one by name and last job. A retired line cook. Two former ride operators from a shuttered county fair. A lifeguard who'd worked six summers at the public pool. A woman who ran register at a shut-down hardware store for eleven years. Shelly walked the line and shook every hand. Amina watched her do it. "Pay them fair," Amina said, low. "They came because I asked. Don't make me a liar." Shelly nodded and meant it. George rolled up on a service cart with a clipboard and a grin. "Chief, point me at them. I can teach a rock to run a slide gate in three days." He split the group by role and started with the ride operators at the base of the tall cactus slide, walking them through the gate sequence, the lap-bar check, and the emergency stop. By day six, the cook had the cantina line moving in under four minutes a ticket. The lifeguard had drilled the pool team on rescue rotations twice a shift. George certified the ride crew on the twin feeder slides and signed off on the main tower drop the night before opening. Shelly walked the park at dusk with Amina beside her. The staff moved like they'd been there a season. "I owe you two now," Shelly said. Amina shook her head. "You owe them. I just made the call." Shelly looked at the roster in her hand. Every line was filled. She folded it and put it in her pocket.
Opening morning came clear and hot. Shelly walked the front gate at seven with the roster still folded in her pocket. The staff took their posts without being told. George ran a last check on the tower drop and gave her a thumbs up from the platform. At nine sharp, she cut the ribbon herself. The line at the gate stretched past the parking lot and around the block. By ten, the tall cactus slide was running full rotations. Kids screamed down the twin flumes and hit the pool in bright sheets of water. The sun deck filled. The cantina line moved fast. Shelly stood on the observation walkway and watched families pour in from the far end of the lot, past the shuttered marquee of the theater Malcolm had bought, past his dark arcade windows. They walked right by his properties to reach her gate. She counted heads until she lost count. Malcolm came through the side path a little after eleven. White suit, dark glasses, hands in his pockets. He stopped at the rail beside her and watched the pool below. "Impressive turnout," he said. "Half of them had reservations at my dinner room tonight. They cancelled this morning." Shelly kept her eyes on the slide. "You bought every building around me thinking I'd fold. You forgot people don't come out here for slot machines and stale popcorn. They come for this." She nodded at the water. "You can own every wall on the block, Malcolm. You can't own what's inside mine. That's what greed misses. It only knows how to buy." Malcolm's jaw tightened under the beard. He didn't answer. He turned and walked back the way he came. By closing, the register tape ran the length of the counter. The lifeguard team logged zero incidents. George handed Shelly his final invoice and she wrote the check on the spot. She sat on the edge of the empty pool as the lights dimmed and pulled out her phone. Three missed calls from Amina. One from a reporter. One from a number she didn't know, with a voicemail. She played it. A man's voice, calm and unfamiliar, said he represented a buyer interested in the parcels Malcolm currently held, and that his client wanted a meeting with her at her earliest convenience. Shelly lowered the phone. Malcolm's ring around her park had held for a year. Someone was moving on it now, and they wanted her at the table before they made the offer.
Shelly played the voicemail three more times that night and heard nothing new in it. A calm man. No name. A meeting on his terms. She called Bartholomew Bones at his hotel before sunrise. He answered on the second ring, that big warm voice already awake. She told him what she needed. A private room, a return call to the number on her phone, and his eyes on the guest register when the man arrived. Bartholomew agreed without hesitation. He said he would set the meeting for that evening in a corner suite and route the confirmation through the front desk so her name never touched the booking. Esther showed up at the park at noon with a canvas bag over one shoulder and a flat look under her straw hat. "You are not walking into a hotel room alone with a stranger," she said. "Don't argue." She pulled a small recorder from the bag and set it on the counter. "I sit in the corner. I press the button. Whatever he says, we own it after." Shelly started to protest and stopped. Esther was already halfway to the door. The suite sat on the fourth floor of the sun-shaped hotel, all glass and red stone. Bartholomew met them at the elevator, bowed once, and pointed them down the hall. The buyer stood when they entered. Gray suit, gray hair, a folder under one arm. He introduced himself as counsel for a private investment group and did not give a name Shelly recognized. He spoke plainly. His client wanted to buy her water park outright, at a number he wrote on a card and slid across the table. He would also acquire Malcolm's surrounding parcels within the month. "You walk away rich," he said. "We handle the rest." Esther sat in the corner chair with her bag on her lap. The recorder ran. Shelly looked at the card. She looked at the man. "No." She pushed the card back across the table. "I didn't build this to hand it to someone who thinks it's a number. You want the buildings around me, buy them from Malcolm. My gate is not for sale. Not to him. Not to you. Not for that. Not for ten times that." The man's mouth tightened. He said she was making a mistake. She stood and told him the meeting was over. In the hallway, Esther slid the recorder into her bag and clicked it off. Bartholomew was waiting at the elevator with the man's registration slip folded in his palm. He handed it to Shelly. A shipping company name. An address two states away. Shelly folded it into her pocket. She had a face now, a voice on tape, and a paper trail. Whoever they were, they would have to come at her known.
The registration slip sat on Shelly's desk for a week before she stopped looking at it. The gate kept spinning. Families lined up at dawn for the cactus slide and the twisting sunset rides. The register drawer filled twice a day. By Friday she had a stack of envelopes ready, each one with a name on the front in black marker. She drove out to the dune camp first. Duke stood by his board when she pulled up. She handed him the envelope and thanked his crew for the amenities work. He counted the bills once, then folded them into his shorts. "Clean, boss," he said. "No debt between us now." He grinned. "Except that dinner still on the books." Shelly said she remembered. She got back in the truck before he could push it further. Fat Tony took his payment at the back booth of his shop, feet up, an old film reel spinning behind him. He thumbed the stack without looking down. "Ya paid me faster than I expected, sistren. Most people, they stretch it out." Shelly said she did not want him holding paper on her. Tony laughed and tipped his sandal at her. "Smart. Real smart. Come back when ya want the sequel." George was on a ladder at the ride tower when she found him. He climbed down wiping grease on his shorts, antennae bobbing. "Payday already? Oh, that's just lovely." He tucked the envelope in his tool belt without opening it. "You call me for the next build too, yeah? I've got ideas. I've got sketches. I've got a notebook that's basically ninety percent doodles but the other ten percent, Shelly, the other ten percent." She promised she would call. Amina met her at the council office steps. Shelly held out the envelope. Amina did not take it. "That was a favor, not an invoice," Amina said. "I told you I would collect later." Shelly said she wanted the money side clear anyway. Amina looked at the envelope, then at Shelly. "Keep it. I still get my favor." Her mouth tightened. "And you should drive around the block before you go home." Shelly did. The theater sat dark. The mini-golf gate was chained. The arcade windows were papered over from the inside. A fresh sign hung on each door, small and neat, the same three words on all of them. Sold. Sold. Sold. No new tenant name. No listing agent. Just sold. She parked across the street and sat with the engine off for a long time. She pulled the folded registration slip from the glove box. The shipping company name stared back at her. Malcolm had taken the offer she refused. The buildings around her park were not empty by accident. Someone two states away now owned every wall that touched her fence. Shelly started the truck and drove back to the gate.
Storycraft is a mobile game where you create AI characters, craft items and locations to build their world, then discover what direction your story takes. Download the iOS game for free today!
Download for free